The New Fabric of Everyday Life
The destiny of blockchain art is the financialisation of artists themselves.
Kunstkritikk.no, 2020.We Asked for It
Netflix’s new art world horror film, Velvet Buzzsaw, capitalises on the real life horrors of the art world.
Kunstkritikk.no, 2019.Artist imagines a world in which black excellence is not seen as an exception
(Popular media) Profile on Thenjiwe Niki Nkosi.
Sunday Times, 2020The Professor of Desire
Review of Torbjørn Rødland, Fifth Honeymoon, Bergen Kunstall,
Kunstkritikk.no, 2018.The Quiet Activism
(Popular media) Review of Wolfgang Tillmans’ exhibition Fragile at the Johannesburg Art Gallery,
Mail & Guardian, 2018.Make Bergen Great Again
Bergen’s plans for becoming an international cultural city overlooks the fact that the city already is.
Kunstkritikk.no, 2018.Scripted Engagement
The rush to make online substitutes for events derailed by the COVID-19 pandemic promises an influx of viewing technologies that approximate real life.
Kunstkritikk.no, 2020‘Yes to who or what arrives’: Hospitality and Property
in Contemporary Art
*Excerpt* from the forthcoming anthology
Hospitalities:
Transitions and Transgressions, North and South.
Routledge, 2020.
Routledge, 2020.
Codes, Weeds, Barriers
Essay in Andre Tehrani: Popular Disorder
Lord Jim Publishing, Oslo, 2014.
Eyeing Others
Essay in Mikhael Subotzky: Retinal Shift.
Steidl, 2012.
Lord Jim Publishing, Oslo, 2014.
Steidl, 2012.
The Land
(Curating) James Benning, Amie Siegel, Bodil Furu, Michael MacGarry
Hordaland Kunstsenter, 2018.Image Drain
(Curating)
André Tehrani, James Webb, Carl Johan Högberg, Antonis Pittas, Andrew Amorim, Kristina Ollek, Laura Kuusk, Toril Johannessen, Mathijs van Geest, Mårten Spångberg, and Paul Kuimet.
Tallinn Art Hall, 2017
Painting in Flat TimeEssay in Carl Johan Högberg: Shuttlecock
Hordaland Kunstsenter, 2015.
Hordaland Kunstsenter, 2015.